Commonwealth

Alex has begun his summary of Hardt and Negri’s latest work Commonwealth. My response, in the comments, is this:

1) This notion that “contemporary capitalism enables an ontology that is at least partially grounded in the common,” as you note raises some interesting possibilities for seeing alternatives to what, if we listen too much to Zizek, Agamben, et al., too often seems like an impossible situation. However, it also raises what I think are some crucial questions, which so far as I can tell are unanswered in the first section of the book. That is: are H&N proposing that this thinking in terms of the common is a wholly new development, contingent first on the globalisation of capital? Is the contemporary situation the only situation that could give rise to an ontology of the common? Is it possible that this is the re-emergence of “commons” thinking (and here I am thinking, as I do, of notions of gift-cultures developed by Mauss and others, in which “property” was less individual than collective – or even trans-individual.) Also, would it have been possible for a commons-based paradigm to have emerged out of alternative political-economic paradigms?

2) Related to the above: if it is the case that capital sets up the possibility for a new (or even renewed) sense of the common, then there is a possible, though I think in the end minor, issue that appears in their assessment of the “second stream” of interpretations of Foucault (pp. 57-58) (Agamben, Derrida, Nancy) in which they seem to take a shot at Holderlin’s notion that “where ther is danger/so the rescue grows as well,” which Heidegger also picked up on in his notion of the “saving power.” I realise that they are suggesting that these theorists don’t do enough to see the possible affirmative possibilities of the saving power, but it seems that H&N could have done a little more to acknowledge that their thesis begins from a similar perspective if only inasmuch as they locate the power of the common from within contemporary developments in globalisation.

3) I really like their comparison of Badiou and Foucault’s differing notions of the event. One thing that has bugged me in my reading of Badiou (and it is nascent) is the problem with how one knows whether or not what one is doing counts as an event? With Badiou you don’t know until after…and if after all your efforts you discover that it wasn’t an event, then what? This is what makes Zizek propose the refusal thesis I think, maybe because it is assured that doing nothing does something (?). Their reading of Foucault is more to my liking in that it doesn’t require hindsight – biopolitics is an event pure and simple; the trick is, as they suggest, this needs to be organised in some way. If not, it seems that simply accepting the reality of biopolitics as an event leaves the door open for complacency of the sort we find in the armchair activism of Gap purchases, Starbuck’s charity, and Green consumption.

Chris Hedges “Globalization Goes Bankrupt”

Had the pleasure of seeing Chris Hedges speak last week for the release of his new book  Empire of Illusion: The End of Literacy and the Triumph of Spectacle. His talk was sermonesque in quality as he spoke of the global financial system and its relationship to mainstream media’s reliance on spectacle. Invoking DeBord and Boorstin, he neatly outlined the smoke and mirrors job done by powerful elites as they try to claw what profits they can before it all comes crumbling down. A recent article appears here.

Our global economy, like our political system, has been hijacked by a tiny oligarchy, composed mostly of wealthy white men who serve corporations. They have pledged or raised a staggering $18 trillion, looted largely from state treasuries, to prop up banks and other financial institutions that engaged in suicidal acts of speculation and ruined the world economy.

Michael Geist on the Canadian Copyright Reform Consultation

Michael Geist notes the rock and hard place situation in which Canadians who desire a sane copyright law find themselves. The strategies employed by powerful lobby groups in order to shut out the voices of educators and consumers of creative works are of particular interest. Those in support of strict copyright laws, including “three strikes” laws for Internet users

turned out en masse for a public town hall meeting in Toronto late last month, resulting in multiple interventions from record label executives (four from Warner Music alone).  Packing the room ensured that there was virtually nothing heard from education and consumer groups, many of whom could not even attend the town hall since all the tickets were scooped up in less than five days.

See the full post here.

For MA Students

For students of the ICS MA Research Methods seminar “Critical Approaches to Internet Research,” April 22 & 24, 2009

The Seminar Notes include links to the Google and Wikipedia documentaries.

2009 Seminar Notes 1
2009 Seminar Notes 2
PowerPoint Slides
Murali, et al. on the impact of FUTON bias

My thanks to all who attended, I hope it was as  beneficial for you as it was for me!

Death Magnetic: Better, Shorter, Cut

This is just too much. Metallica can’t not cause an uproar when it comes to filesharing.  A Swedish writer wrote on their new album Death Magnetic, but he downloaded an altered version by someone who had decided to pick his favourite parts of the album and condense it to make it more “listenable.”  Fair enough.  However, the band canceled an interview with the paper as a result, and a Unversal Music representative had this to say:

The reviewer is referring to a BitTorrent where someone has altered the original songs. The reviewer explains exactly where one should go in order to download the file that totally infringes on a copyright. It’s not only an illegal file, but an altered file. The reviewer also writes that this is how the album should have sounded. File-sharing of music is illegal. Period. There’s nothing to discuss.

The best part here is that the label is clearly more upset about the “downloading” part than they are about the “music” part.  I think it clearly demonstrates where the priorities of major labels lie.  The lesser of the evils is clearly the fan’s alteration of the music.  I can see how this might annoy an artist, especially when the review is ostensibly of their work, and not the work of the person who remixed it.  However, it’s also cool that people are out there reconfiguring music, as they have always done.  The real offense is that the reviewer used a downloaded copy and not the “official” (read: paid for) release, and then pointed to a site where anyone else could download it.  There is, in fact, something to discuss: a really interesting debate could have been had if Universal’s beef was with the aesthetics of the remix. It would be interesting to know if the band has heard it too, especially given the grief that they’ve been getting over what appears to be a pretty poor mastering job. No, instead Universal kicks up a stink over how  the album was obtained rather than addressing what appears to be the more important issue, how the music sounds.  Because the fan’s motivation to remix was rotted in a dislike for certain parts of the recording, not only in a desire to reconfigure and make something new out of it.  The comment accompanying the torrent says it all: “an awesome re-cut of the new album – all of the dumb parts have been taken out. all of the thrash has been left in.”

I’ve heard the album, and I quite like it.  I agree it’s a “return to form” of sorts – at least there’s more guitar solos!